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A (1991), 8m24s, Francesca Ancarolaa (2002), 5m24s, Artificiel
Aave, Kevin M Krebs
Abide With Me (New York No. 1), 2m43s, EC Woodley
Abismos (1971), Luis Maria SerraL’abolition des privilèges (1999-2005), 54m07s, Pierre-André Arcand, Chantal Dumas, David Michaud, Fabrice Montal, Jocelyn Robert / Boris FirquetL’abondance d’une minorité (2002), 3m44s, Millimetrik
About Dragons, Reimer Eising
About Time (2005), 8m30s, Yves DaoustA brief audio history of agriculture, Nathan McNinch• a • b • c • d • e Absolute Zero (2008), 5m00s, Daniel SwilleyAbstractiones en reversa, 4m02s, Skipsapiens
Abstracts (1998), 17m30s, Jonty Harrisonorchestra, and 8-track tape A Buckeye Shuts, Claudia Bonarelli [Dick Richards, remix]Acariens I (2000), 4m46s, Érick Dorion
Acariens II (2000), 3m40s, Aimé Dontigny, Érick Dorion
Acariens III (2000), 2m48s, Aimé Dontigny, Érick Dorion
Acariens IV (2000), 3m44s, Érick Dorion
Acariens V (2000), 6m09s, Érick Dorion
Acariens VI (2000), 6m43s, Érick Dorion
Acceptable Replacement, Dustin Craig, Todd Drootin
Accesuss (2002), 8m00s, Fabián Esteban LunaAccident (2001), 12m00s, Louis Dufortsoprano saxophone, and processing Accidentally Brilliant (2004), 7m46s, Crackhaus
accumulation (2000-01), 7m21s, Judith Ring
Acier bien trempé (1984), 6m55s, Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard
Acier bien trempé (électronique) (1984), 9m56s, Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard
À cordes perdues (1977), 15m47s, Francis Dhomontdouble bass, and tape Acouasm (2001), 19m48s, Robert Scott Thompson
Acoustique (2000), Zammuto [Camp, remix]
Actiniaria (2007), 3m46s, Katia Perdoni, Eryk Salvaggio
Action / Passion (1987), 39m00s, Annette Vande Gorneballet music for a choreography by Patricia Kuypers Adagio (1986), 14m34s, Yves Daoustflute, and tape
Adamah (2004), 1m01s, Stephan Dunkelman, Stephan Pougin
Adèle et Hadrien (le livre des vacances) (1999-2006), 122m30s, Lionel MarchettiAdes, 2m38s, Ioannis Kalantzis
Ad Esempio (2003-04), 8m17s, Roberto Fega, Graziano Lella, Elio Martusciello
Adiabatic, Tomas Jirku
A Dialética da Praia (1993), 23m07s, Flô Menezes• O Sol Ardente no Mar • Jeux de vagues • La (dé)marche sur les grains • L’Improvviso Passaggio • Il Tramonto • O Canto dos Sapos na Encosta A Digital Eclogue (1986), 12m45s, Daniel Scheidt, Claude Schryerclarinet / bass clarinet, and interactive software
A Dream Play (1995-98), 90m00s, Darren Copeland / August Strindberg5.1 tape Aequroem Marmlet ’round Looghsbury (1999), David Turgeon
Aerial (1979), 9m18s, Barry Truaxamplified French horn, and 4-track tape
Aeriala, James Schidlowsky
Aerial Drop (2006), 7m17s, Gordon Monahan
Aéronef, Aimé Dontigny, Érick Dorion
Aetherial (2001), 14m55s, Robert Scott Thompson
Affaire des oiseaux (1976), José Vicente AsuarAffleurements (1984-85), 4m25s, Bénédict Mailliard
Affthalid Park (1999), David Turgeon
A Florus Exchange II, 12m52s, Laurie Radford
Afternoon Walk (2003-04), 7m36s, Haco, Diane Labrosse, Martin Tétreault
Again (1994), 5m51s, Johan-Magnus SjöbergA game of poker with Morton Feldman, Martin Archeragami, 3m46s, Myléna Bergeron
Aglavaine et Selysette (1989), 35m00s, Annette Vande GorneA Glow in the Dark, 21m34s, Shalabi Effect
Agon (1998), Horacio VaggioneAgora (2000-02), 60m00s, Natasha Barrettelectroacoustic theater Agoraphobia (2008), 6m29s, Stephen TaylorA Heir Son, Gimp Gadget Oscillation [Books on Tape, remix]Ahora (1974), 16m30s, Iván PequeñoL’Aile de l’abeille (2000), 7m00s, Denis DufourLes ailes (1973), Wlodzimierz KotonskiAil et l’eau faille (2007), Nicolas Bernier• Propriétaire d’un chat aux grands yeux • Sombre désert • La tortue • Je ne juge pas • La ville est en feu (modulations) • Les écureuils réchauffent les arbres • Montauk L’ailleurs (1996), 19m30s, Chantal DumasAilleurs (2001-02), 3m12s, Ghislain Poirier
L’air du large (1997-98), 5m44s, Francis DhomontAir Pocket, 2m46s, Tsumoda Tsuguto
Akrata (1964-65), Iannis Xenakispiccolo, oboe, clarinet in B-flat, clarinet in E-flat, bass clarinet, bassoon, two double bassons, two horns, three trumpets, two trombones and tuba Aku (2002), 5m33s, Philippe Godbout
al_al.30 (2002), 3m26s, tlon
À la mémoire (1980), 14m45s, Patrick AscioneAlarm, 4m35s, Bill Gilonis
A Layer of Silence, 7m33s, Kevin M Krebs
Alcahuaz (2006), 6m05s, Stephen Beaupré
Alchera (1972-73), 15m00s, Micheline Coulombe Saint-Marcoux / Nicole Brossardmezzo-soprano, flute (piccolo), clarinet, trombone, violin, cello, harpsichord (Hammond organ), tape, and lights Alchimie (1992), Pascale Trudel
L’alcool tue (1962), 4m13s, Bernard Parmegiani, Boris Vian
A letter from the trenches of Adrianopolis… (2004), 9m06s, Jason Ernest Geistweidt
Alex Zinobar, Désormais
algoryt(h)mes, Aimé Dontigny, Érick Dorion, Dominic Gagnon
À l’horizon du silence (2001-02), 17m16s, Martin Leclerc• Une journée comme les autres [A Day Like Any Other] • Solo de trompette 1 [Trumpet Solo 1] • Femme hystérique dans la ville [Hysterical Woman in the City] • Solo de trompette 2 [Trumpet Solo 2] • Écroulement [Crumbling] • Solo de trompette 3 [Trumpet Solo 3] • Désert [Desert] • Éclaircie de soleil [The Sun Shines Through] amplified B-flat trumpet, and tape
Alias (1990), 13m50s, Åke ParmerudAlinea I-III (1997-2000), 22m20s, Kent Olofsson• Alinea I • Alinea II • Alinea III string quartet, processing, and tape A Little Bird Told Me, 5m47s, Terri Hron
Aljibe profundo (2008), 6m30s, Arturo ParraThe All-American Boy (2001), 2m23s, Aimé DontignyAllamuchy (2003), 9m40s, Elizabeth HoffmanAll Bombing is Terrorism, 12m00s, Janek SchaeferAllégorie (1995), 69m30s, Denis DufourAllegro Ma Non Troppo, 13m31s, Unsuk ChinAller-Retour (1988), John Oliverflute, bass clarinet, horn, English horn, trumpet, trombone, two percussions, violin, cello and double bass All in Twilight (1988), 10m32s, Toru Takemitsu
Allo à l’eau (1984), 7m34s, Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard
Allongez-vous confortablement (2001), 3m23s, Aimé DontignyAll That Jazz (1981), 4m51s, Charles de Mestral, Pierre Dostie, Chris Howard
All the Knowing (2000), 10m00s, Martin Gotfrit
All the shadows flee (2008), 4m45s, Natasha Barrett, Stefan Östersjö
All The Time (1989), 2m12s, Konrad BeckerAllting Runt Omkring (1998), 17m40s, John YoungAllt som ligger under snön är gratis (1999), 12m33s, Erik Peters
Alluvion (1998), 5m03s, Robert Dowtape All World, Noah Sasso
Almagonie Agonie — Les sept paroles en croix (1990), 19m10s, Alexandre Yterce
Altered Images (1995), 11m52s, Pete Stollery
Alternate Visions (2007), 80m00s, John Oliver / Genni Gunnopera: seven singers, six musicians, processing, and tape
Alternative Biology (2003), 4m49s, Egg
A Lucky Strain (4,669201) (1989), 2m51s, Konrad BeckerAlways Becoming Somebody Else (1991-92), 9m07s, Darren Copeland
Amanecer, Dick Richards
Amanecer Zencillo, 4m37s, Danieto
A Man is a Delicate Flame (1997), 3m00s, Justice Olsson
Amarillo Azul y Rojo (2008), 6m38s, Beatriz Ferreyra / Inés Wickmannvideomusic Amaryllis (1996), 13m34s, Ingrid Drese• Verticalité — horizontalité — densité • Émergence — complémentarité — suspendu • Balancement • Vide — strette
Amaya pt. 2, 7m43s, David Kristian
Amazing Grace (1995), 6m11s, Heinrich TaubeAmber Pets, 7m55s, Shalabi Effect
L’ambition dans le miroir, 15m02s, Acid Mothers Temple
L’amen de verre (1957), 5m17s, Roman Haubenstock-Ramati
Amnesia (1988), 10m23s, Bruce Pennycooksoprano, flute, violin, cello, synthesizer, and processing Amore (1988-92), 34m38s, Roxanne Turcotte / Élise Turcotte• L’amore: préambule • T’es le fun téléphone • Love You • Olé-Léa-Léo • Interlude • Trop tard
Anaerobic, Dustin Craig
Anaktoria (1969), Iannis Xenakisclarinet, bassoon, horn, two violins, viola, cello and double bass Analgesic Four, Dustin Craig
Analgesic One, Dustin Craig
Analgesic Three, Dustin Craig
Analgesic Two, Dustin Craig
Analgesic Zero, Dustin Craig
Analog #1 (Noise Study) (1961), 4m23s, James Tenney
analogique 2 (2003), 6m02s, Martin Tétreaultanalogique 4 (2003), 4m40s, Martin Tétreaultanalogique 5 (2003), 1m14s, Martin Tétreaultanalogique 6 (2003), 4m20s, Martin Tétreaultanalogique 7 (2003), 2m34s, Martin TétreaultAnamorphées (1984-85), 7m21s, Gilles Racot
Anchorings / Arrows (1992), 13m00s, Jens Hedman, Erik Michael KarlssonAnchor Synthesis, 8m09s, Natasha Barrett, Tanja Orning
Ancient Burial Ground, 6m12s, Bartoc
… and 8:30 in Newfoundland (1985), 11m30s, Diana McIntoshAnd Another Thing, Martin Dixon
And Around (1981), 35m02s, Jean Schwarzsaxophone, flûte, percussions et bande
And a Voice was Heard in Rama (1994), 7m28s, Linda DusmanAnd how do you spell that?, Dustin Craig
And If Your Legs Should Turn to Glass (2008), 3m30s, Eryk SalvaggioAndrogyne, mon amour (1996-97), 16m02s, Barry Truax / Tennessee Williams• You and I [1] • Cruising • Winter Smoke • Liturgy of Roses • Wolf’s Hour • The Ice-Blue Wind • You and I [2] music theater work for amplified male double bass player, and tape
And then the…, Jason Urick
And the Radiators Hum (2006), 1m48s, Nathan McNinch
And Time Stands Still…, 1m55s, Michael Konkin
Andy (Dang Fishy Riff) (1977), 54s, John Oswald
And Your Point Is? (2007), 5m25s, David Turgeon
Les Anecdotiques, exploitation des concepts no 6 (2001-02), 54m28s, Luc Ferrari
Anechoic Pulse (2003-04), 9m40s, Panayiotis KokorasAnemos, Christof Migone
Angelic, Estevan Carlos Benson
Angelic (lost in the golden swirl), Estevan Carlos Benson [Ambia Dextrus, remix]
Angel’s Answer, Reimer Eising
Angels & Devils (2002), 12m31s, Natasha Barrett
Angle (1990), 2m41s, John Oswald
Angle mort (2001-02), 14m01s, Christian Bouchard• Duel-1 • Accident • Duel-2 • Nuit morphinique [Morphinic Night] • Transfert [Transfer] • Cohabitation microscopique / souvenirs épars [Microscopic Cohabitation / Scattered Memories]
L’Angoisse des machines (1989), Alain ThibaultJavanese gamelan Anima (2003), Jean-Pierre GauthierAnimal Magnetism, 21m18s, Masami Akita
An Introduction in Frost (1987), 20m00s, Darren Copeland, David Edwards, Gerard Leckey, John MarriottAnnam (1993), 20m06s, François Donato
announcement to all the graceful sailors, 1m40s, Lasse Marhaug, Maja Solveig Kjelstrup Ratkje
An Objection That is Immaterial After the Fact (2001), 4m37s, Cal Crawford
Anon (1990), 4m18s, John Oswald
antenne parabolique (2002), 13m55s, Aimé Dontigny, Diane Labrosse
Antigone, 01ek
Anti-War Broadcast (2002), 3m01s, Aimé Dontigny
Antwerpen Bootleg October 2002, Kontakt der Jünglinge
A Paper Piece (1984), 4m30s, Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard
A Perfectly Reflecting Flat Earth, 6m52s, Kevin M Krebs
A Phantasy (1952), 7m15s, Maurice Blackburn
Aphrodisiac, 7m22s, Portable
A Piece of Paper (1980), 5m53s, Charles de Mestral, Pierre Dostie, Chris Howard, Michael O’Neill
L’Apocalypse d’Angers (1980), 50m30s, Denis Dufournarrator, and tape Apolliana (1970), Jon AppletonApostrophe (1995), 8m22s, Lelio CamilleriApparitions, 5m43s, Shalabi Effect
Appartenances (2003), 27m06s, Stéphane Roy• Thème celte [Celtic Theme] • Thème latin [Latin Theme] • Thème oriental [Oriental Theme]
Appassionata (2005), 6m10s, Michael DrewsAppel d’air (1991), 27m00s, Michel Redolfi
L’Appel des machines soufflantes (1998), 14m00s, Monique Jeanharbour symphony: boat horns, train, and church bells Applecorer107, 2m15s, Proswell, wwcarpen
A Ptarmigan, 22m29s, Masami Akita
aqua (2002), 3m01s, Martin Bürck, Rainer Bürck, Günter Marx
Aquaéra 1 (1996), 3m00s, Stephan Dunkelman
Aquarelle en sol (1987), 21m10s, Patrick AscioneAquello (1982), 7m44s, Mariano EtkinArbor Vitæ (2006), 13m10s, James Tenneystring quartet Arbre de silence (2003), 11m16s, Tomonari Higaki
Les arbres (2004-08), 43m21s, Nicolas Bernier• // Post • // This Is a Portrait • // Piano • // Spleen • // Bora • // Ouverture
Arc (1999), 7m50s, François BayleArcade ’94, 2m25s, Andra McCartney
L’archange (2005), 52m31s, Louis Dufort / Alexis Noussopera: three voices, one actor, and tape
Architecture nuit (1988), 20m09s, Annette Vande Gorne / Werner Lambersy
Archives génétiquement modifiées, exploitation des concepts no 3 (2000), 25m23s, Luc Ferraritape
Archives sauvées des eaux, exploitation des concepts no 1 (2004), 15m00s, eRikm, Luc Ferraritwo DJs: CDs, and LPs Are devastating, Eryk Salvaggio
A Redoma de Cristal Azul (1994), 7m46s, Lelo NazárioArènes-Around (1990), 12m00s, Patrick AscioneArepo, Dick Richards
L’argent… toujours l’argent! (1989-90), 11m18s, Marc Tremblay
arghanum I (1986), alcides lanzasolo accordion, clarinet, bass clarinet, synthesizer and vibraphone arghanum V [1990-I] (1990), 14m05s, alcides lanzapiano, and tape Aria (1989), 3m49s, John Oswald
Arioso Dolente / Beethoven Op. 110 (2002), 7m06s, Theodore Lotis
Arizona, 2m59s, Raphaël Simard
The Arkham Quartet (1997), 10m27s, Jan Liljekvist• Allegro • Allegretto (col legno) • Adagio • Non troppo lento • Allegro — Andante
Arkheion, les mots de Stockhausen (1995), 16m24s, Christian Zanési
Arkheion, les voix de Pierre Schaeffer (1996), 16m48s, Christian Zanési
Arksalalartôq (1970-71, 76), 10m00s, Micheline Coulombe Saint-Marcouxvoice, 1 instumentalist, and tape Är Livet En Dröm Eller Verklighet, Friedrich JürgensonArqua, 1m28s, Piedmont Sorpid
Arras (1980), 10m00s, Barry TruaxThe Arrival of Sir John Franklin in Paradise (1988), Martin Bartlett• Fireworks • Songs from Dante • Relics voice, and system
Arrivals (1987), 12m00s, Andrew LewisArrivederci (2005), 15m35s, John Young / EE Cummingsflute / alto flute, clarinet, violin, cello, harp, percussion, piano, and tape
Les arrivées sont des départs (1988), 10m15s, Marcelle DeschênesMIDI wind (Yamaha WX7), MIDI keyboard (Kurzweil), MIDI percussion (Kat) controllers Art (1996-99), 3m57s, Jocelyn Robert
Art 24 Babin, 6m39s, Magali Babin, Sylvie ChenardArturo (1998), 13m35s, Elainie LilliosLes Arythmiques (2003), 40m25s, Luc Ferrari
Ascendance (1979), Barry TruaxAscension (1976-79), 9m06s, Michèle Bokanowski
Ascent (1997), 12m00s, Andrew LewisAsh (1900), Horacio Vaggione
A Short Tale, 4m15s, Rajmil Fischman
A Sideways Glance from an Electric Eye, 7m35s, Annie GosfieldAsie (1975), 13m33s, Francis Dhomont / Giovanni Biagginiaudiovisual presentation asKaa 28.03.05, 5m38s, Skoltz_Kolgen
A Sketch for Prometheus Bound (1989), 8m00s, Darren CopelandÀ soir ce sera pas un show (2001), 1m52s, Aimé DontignyA Song for Drunken Flower Throwing (2008), 4m32s, Eryk SalvaggioA Song for Drunken Flower Throwing (Lava Swan Mix) (2008), Eryk Salvaggio [Kalx, remix]A song for my father, Dustin Craig
A Soundwalk in the Rain of St. John’s, NFLD (1992), Claude Schryer
A South Wind will Bring the Sand (2002), 10m11s, Theodore Lotis
Aspavientos, 7m38s, Jorge L Sad
Aspect sentimental (1957), 7m57s, Henri Sauguet
Asper (1999-2000), Laurens Kagenaaras real as it gets: a psalm for ultra-woman, 6m27s, Lasse Marhaug, Maja Solveig Kjelstrup Ratkje
As seen on TV, 24s, Raphaël Simard
Assemblages (1972), Micheline Coulombe Saint-Marcouxsolo piano Assemblages (1972), 18m30s, Francis DhomontAssociationer (1973), 12m30s, Rune Lindblad
Associations libres (1990), 3m00s, Gilles Gobeilelectric guitar, and tape
Assolutamente (1990), 13m55s, Alexandre Ouzounoff, Jean Schwarzbasson et traitement
Assonanze, 9m10s, Paolo GeminianiAs Though, Désormais
Astonishing Sense of Being Taken Over by Something Far Greater Than Me (1998), 8m56s, Susan Frykbergviolin, and tape
As We Conquer, Deadbeat
Asynchronous Data Phase (1998), David Turgeon
A tangle in the throat (2003), 15m00s, Laurie Radfordorchestra at_at.31 (2002), 3m40s, tlon
L’atelier de Léonard (1976-79), 2m00s, Michèle Bokanowski
Ateliers de Jonquière (1980), 6m05s, Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard
A Thousand Pinwheels (2007), 6m41s, Eryk Salvaggio
Atlantide (1985), 29m12s, Michel-Georges Brégent• La création d’Atlantide • Le chant des Atlantes • Poséida (les royaumes) • Les liens ancestraux (le fil d’Atlas) • Le chant de la nature (les cosmopolites) • Complainte des villes solitaires • Les dômes de la profusion • L’Atlantide apocalyptique voices, various ensembles, electroacoustic sounds, and environmental sounds
Atlas (2006-07), 80m00s, Christian Calon• Nord • Ouest • Est • Sud Atlas Folisipelis (1996-97), 23m50s, Flô MenezesAtomic Rotary Grinding God / Quicksilver Machine Head, 15m43s, Acid Mothers Temple
L’attaque du Château de l’Œuf (1976-79), 7m28s, Michèle Bokanowski
l’attente dans la tranquilité intime au sein de laquelle tout ce qui arrive est détourné par l’attente ne laisse pas arriver la mort comme ce qui pourrait suffire à l’attente mais la tient en suspens en dissolution et à tout instant dépassée par l’égalité vide de l’attente (2001), 17m30s, Alexandre St-Onge
Attention! Risque de choc électrique, ne pas ouvrir! (2002), 3m34s, Steeve Lebrasseur
Les attentions délicates (2003), 4m05s, Ghislain Poirier
Attraction (1992-93), 10m04s, Ned Bouhalassa
Attractions (2003-05), 18m00s, Roxanne Turcotte• Aurore boréale [Aurora Borealis] • Perséides [Perseids] • Crépitements et tourments [Crackling and Torment] • Profondeurs [Depths] • Souffles et alizés [Puffs and Trade Winds] • Tour de terre [Earth Trip] concert version Attractions (2005), Roxanne Turcotte / François Doyonsound and light installation a-ttractor (2002), 2m19s, Martin Bürck, Rainer Bürck, Günter Marx
A tu memoria (para Naúm Minsburg) (2005), 8m03s, Raúl MinsburgAu creux des vagues, mon visage, 8m18s, aMute
au Croisé, le silence, seul, tient lieu de parole (2000), 15m00s, Pierre Alexandre Tremblay• se faire coi [hold your peace] • [se] pourfendre (de la révélation) [to assail [oneself] (on relevation)] • rester coi [holding peace]
The Auctioneer, 2m28s, The Rip-Off Artist
Auden and Melyn, 12m03s, Piedmont Sorpid
The Audio Birth Project (1998), 18m16s, Susan Frykberg• Margaret • I Didn’t Think Much About It Au gré du souffle… le son s’envole (2005-06), 20m03s, Bernard Parmegiani
Aujourd’hui, j’ai admiré le paysage (2002), 8m28s, Charlotte Hug, Chantale Laplante
Au pays de la magie (1985), 10m00s, François BayleAural Florida, 26m37s, Shalabi Effect
Aural Florida (Approach), 10m00s, Shalabi Effect
Aureo Verso, 10m00s, Maurizio Massarellicello, and tape Aus Alpbachs Hain und Flur (1978), 8m55s, Günther Becker
The Australian Indigenous Radio Art Project (2008), 40m09s, Robin MinardAutodafé (2000), 8m22s, Philémon Girouard, David Turgeon
Automatic Electric String (2006), 2m23s, Gordon Monahan
Automatopoiea: Study 1 (2006), 9m37s, Steven Naylor8-track tape Autour d’une Musique portuaire (1996), 12m26s, Hélène Prévost, Claude Schryerbaritone saxophone, trombone, bass clarinet, and tape
Les autres s’envolent (2001-02), 2m30s, Ghislain Poirier
Aux lampions (1981), 18m09s, Bertrand Dubedout
Available Instruments (1998), 14m41s, William Kleinsasser
Avant Pitch (1998), David Turgeon
AvatArsSon (1998), 18m11s, Francis Dhomont• Fondation • Avatars • Voix • Aventures • Paysages • À suivre… AvatArsSon (remix) (2001), Julie Rousse
Avec classe (2001), 2m21s, Aimé DontignyAvel (1997), 12m56s, Jean-Claude Risset
L’aventure du cri [I] (1970-73), 17m23s, François Bayle• … l’inconscient de la forme • match nul • solitioude Avoid Being Eaten By Mimicking Other Less Palatable Species (ABEMOLPAS) (2003-04), 10m50s, Natasha Barrett
A Walk Through The City (1981), 16m02s, Hildegard Westerkamp / Norbert Ruebsaat
A Ward Of The Government, EC Woodley
Äwhä (2002), 5m30s, Dave Shepherd
aXenia (2009), alcides lanzapiano, toy piano, and percussion aXents [2003-I] (2003), 9m00s, alcides lanzaflute (bass flute), two clarinets (bass clarinet), bason (contrabason), horn, trombone, percussion, viola, cello, double bass, and tape Axial Budding, 10m29s, Natasha Barrett, Tanja Orning
Axial Landmark, 3m25s, Natasha Barrett, Tanja Orning
A Zoo, Colongib, Noah Sasso
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