Sam Shalabi brought an unsuspected mood to the night, using mostly electronics. Philémon’s use of an amplified metal box, added to A_dontigny’s distorted CD skipping and Érick Dorion’s signature audiomulch cataclysm, blended Shalabi’s melancholic bleeps to form a dense and warm tapestry of noise. Live at the Casa del Popolo, April 2002. Photography by Esther B.
- No Type: Annexe
- NTA 006 / 2002
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Live (April 2002)