Artists Denis Dion

Denis Dion

Quebec City (Québec), 1957

Residence: Trois-Rivières (Québec)

  • Composer
  • Performer (guitar)

On the web

Denis Dion at the Festivoix de Trois-Rivières [Photo: Francesca Sinotte, Trois-Rivières (Québec), 2013]
Denis Dion at the Festivoix de Trois-Rivières [Photo: Francesca Sinotte, Trois-Rivières (Québec), 2013]
  • Denis Dion at the Festivoix de Trois-Rivières [Photo: Francesca Sinotte, Trois-Rivières (Québec), 2013]

Articles written

  • Denis Dion, Contact!, no. 8:2, March 1, 1995
    … un compositeur en pleine possession de ses moyens.

Review

Denis Dion, Contact!, no. 8:2, March 1, 1995

Serge Arcuri has some new work out on empreintes DIGITALes. In Les méandres du rêve, the Montréal composer selected seven titles from his already very impressive collecion of works. The album’s title, roughly translated as ‘dream meanders,’ is representative of the works within. There is an interesting blend of pieces composed for tape which explore the genre of tape and live electronics. The works on the disc are: Prélude aux méandres (1985); La porte des sables (1989) for oboe or English horn, MIDI percussion and tape; Murmure (1989); Errances (1992) for oboe d’amore, harp and tape; Lueurs (1987) for horn, percussion and tape; Résurgence (1982); and Chronaxie (1984) for multiple percussion and tape.

There is an inate sense of sonic poetry in Arcuri’s work. The musical journey often begins delicately, and subtly offers the listener a wealth of discoveries. This record is a good example of work by a composer who is in full command of his abilities. Arcuri’s journey is an adventure in technological innovation — in other words, the music comes first!

I must also mention the other musicians involved: Lawrence Cherney on oboe, oboe d’amore and English horn, Trevor Tureski on percussion and MIDI percussion, Erica Goodman on harp, and the talented Francis Ouellet on [French] horn. The unique combination of instruments and tape testifies to the strong complicity that exists among these four great musicians. This type of writing is a study of the coming together of the instrument and electroacoustics, and these musicians do it beautifully. There is no hint of conflict or struggle between the genres, only a respect for the natural instrument and a desire to realize its full potential. It’s a successful union and leaves the listener with the pure pleasure of listening.

Like all works from empreintes DIGITALes, this CD conforms to the labels’s policy of quality over quantity. Congratulations to the whole group!

… un compositeur en pleine possession de ses moyens.

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