- Year of composition: 2016-17
- Duration: 11:11
- Instrumentation: 4-channel fixed medium
This work was inspired by the kinds of games that I have played with my young son during his early years, using everyday objects as well as his toys. I was drawn to the kinds of play that he engaged with and the resulting sonic outcomes and processes — repeating the same thing, exploring further potentials, or trying something once and then moving on to the next interesting activity. I wanted to capture the sounds of the kinds of objects that we regularly played with, and to try to adopt my son’s spirit of play in my musical explorations; to pursue the development of some ideas whilst leaving others less developed, open to a possible return but not necessarily bound to it. Many of the source sounds are significantly transformed, yet I hope that traces of the musical play underpinning the work remain tangible from time to time.
Traces of Play was realized in 2016-17 at the EMS (Stockholm, Sweden) and at the composer’s studio and premiered on June 2, 2017 during the Klang! Festival of Electroacoustic Music in Montpellier (France). Thanks to everyone at EMS Stockholm for their help and support while I was in residence. Traces of Play was awarded the 2nd Prize at the Klang! International Electroacoustic Composition Competition (Montpellier, France, 2019), 2nd Prize in the 11th Destellos Competition of Electroacoustic Composition (Mar del Plata, Argentina, 2018), and was a finalist at the Métamorphoses Acousmatic Music Competition (Brussels, Belgium, 2018). Traces of Play was selected to represent the British Electroacoustic Network’s submission to the International Confederation of Electroacoustic Music (CIME) Annual General Meeting (Beijing, China, 2018).
- June 2, 2017, Klang! électroacoustique 2017: Concert 3, Salle Molière — Opéra Comédie, Montpellier (Hérault, France)