Jesús Gutierrez, Hurly Burly, no. 11, July 1, 1999
This work comprises four parts dating from 1994 to 1997 and, according to Leduc himself, they define an important technical and aesthetic transition in his artistry. We observe a soundscape wich coexists with speech in a Tarkovsky: un mundo sonoro adentrado en sí mismo de tal fortma que lo narrado absorve o escupe su propio sonido aproplándose de un carácter relevante para un fondo difuminado e inerte.