Review

Esteban Lago, Hurly Burly, no. 12, January 1, 2000

A new work by this Canadian electroacoustic muslc composer who proposes, in this occasion through Figures, a skilled and adapted listening to diverse sonic itineraries of strident contents and a marked inclination in favour of metallic colouring and static plasticity with fugues orientated tomards stimuli. as long as the volume permits this work to reach us in optimum conditions.