If you’re wondering if Dolden has softened his edge for the complex multi-dimensional rhythm tracks and computer-generated layers, the answer is a plain, resounding no. The album sees him in full control of his virtual orchestra. Of course, it’s an orchestra on paper only, as his computer is fed the various instrumental parts, which are then neatly (or less neatly – depending on the composer’s mood, I guess) organized into individual tracks. If you thought his other works were dense, wait until you hear the title piece – which comes complete with noisy guitars, altered percussion, some flutes and this thick, thick layer of distortion. All in all, Dolden had to go back and absorb new production techniques in order to come up with the precise sound that he was looking for. We’re talking about relentlessly dense multi-tracking here and the result is absolutely a work of wonder. Just to be able to hear this piece without an opinion is next to impossible. Some may call this a work of a madman. It’s obviously not a work for everyone as the novelty and uniqueness of it may scare the fans of the more conventional. But if you’re looking for something new and challenging, Délires de plaisirs is yet another work of genius from this much misunderstood Canadian composer.