The alteration of sound is also the alteration of our perception, and no one better than Francis Dhomont can explain this parallelism while obtaining the most astonishing artistic results from it. The extremes of a studio manipulation have never sounded more effective: Dhomont’s ability to transform inorganic materials in something that sounds biotic — even natural, like in the virtual marine elements of Je te salue, vieil océan! — is the basis of his greatness. The five compositions of this CD present, in the composer’s words, structures that “attempt to avoid traditional music codes, disregarding their imperatives”. The subtle transformations and sudden changes of dynamics related to the sonic continuum of a piece like Chroniques de la lumière - almost half an hour of evolutions that range from the vague presence of aural symptoms to the imaginary representations of astral bodies - are enough to keep our fascination at full steam, just like kids left with their mouths agape when meeting something unexpected and wonderful. In that sense, the mechanism that links Dhomont’s music to our physical response is one that explores a system working through very simple principles, and for that very reason achieving the most important conclusions. These soundscapes satisfy both an aesthetic canon and the need of moving forward and finding new life in the creative dismemberment of a source which, at 81, this man still does with the cultural and scientific enthusiasm of a young student. Music with a high rate of emotional value in one of the best acousmatic releases of 2007.