Editor’s Corner

David Olds, The WholeNote, no. 26:5, February 7, 2021

I suppose the best place to start is with old friends. During my tenure as host and producer of Transfigured Night (1984-1991) at CKLN-FM, I became interested in the field of electronic music, to the extent of becoming a founding member of the Canadian Electroacoustic Community (CEC). On a trip to Montréal in 1986, for a conference that led to the establishment of that national organization, I met and became friends with a number of movers and shakers in that rarified field, including Jean-François Denis, who went on to found the internationally renowned empreintes DIGITALes (electrocd.com). At time of writing, the Montréal-based label has 171 releases featuring the most distinguished practitioners of electroacoustics, acousmatics and musique concrète from around the world. While at CKLN, I commissioned radiophonic works from a dozen composers, one of the most successful of which was Figures de la nuit / Faces of the Night by Francis Dhomont. Since the late 1940s working with magnetic wire recorders in Paris – one of the first exponents of what Pierre Henry would later call musique concrète – Dhomont has been a pioneer of electroacoustic composition, and has worked exclusively in fixed media (ie magnetic tape and its digital progeny) since the 1970s. From 1978 until 2004, Dhomont split his time between France and Québec, where he taught for 16 years at the Université de Montréal. I am pleased to see, as witnessed by the recent CD Images nomades (IMED 20167), that at the age of 94 Dhomont is still active in his studio in Avignon, France. This release includes three recent works – a particular favourite is Perpetuum mobile (Pluies fantômes) – plus a cycle of [9] shorter tributes to friends and colleagues such as composers Bernard Parmegiani and Jonty Harrison he calls Ami-versaires – composed between 2002 and 2020. This and the dozen or so discs of Dhomont’s music available from empreintes DIGITALes confirm him not only as a pioneer in the field, but also as a master of his craft.

… as a master of his craft.