Review

Colleen Johnston, The Kitchener-Waterloo Record, 23 septembre 2001

Vancouver native, Montréal-based Dolden’s L’ivresse de la vitesse (Drunk on Speed) proved as tantalizing as its title. Completed in 1993, this work came out of the electronic studio, and like the pump of an electric guitar at a rock concert, left listeners with the sort of buoyant exhaustion of having been there when something socially significant took place.

… like the pump of an electric guitar at a rock concert…