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The Enormouslessness of Cloud Machines dans The Wire

«Soundcheck Review», Julian Cowley, The Wire, no 193, 1 mars 2000
mercredi 1 mars 2000 Presse

Canadian sound artist Heimbecker creates unusually spacious and unhurried montages. They may be reflections of his prairie upbringing, but they are assuredly products of his ‘sound sailing’ technique — locating open microphones in the sound space to generate frequency feedback loops as they are processed through digital delays. Voice and breath, gentle environmental sounds, small machines and a sense of humour are key ingredients. Much of it feels boundless, yet electroacoustic composition is rarely so habitable as here.

… electroacoustic composition is rarely so habitable as here.