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Antimatter

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Xopher Davidson began his experiments in electronic sound from a basis in painting, film, and installation art, mixed with a long-time interest in electronics. While in primary school he learned to construct simple circuits, removing the components from old televisions and playing with step-up transformers. In 1985 the naively extremist project Jesus Wept was formed by James Chandler, John Hong, Will B. Gavin, and Davidson, beginning an era of tape manipulation. An electronic side project with James Chandler resulted in the (in)famous cassette release, Climatron. While attending school in Richmond, Virginia, Davidson completed the short black and white films Hess and Positioning Device, significant for its soundtrack of modulated full-frequency noise. He also started work on the trilogy of recorded sound pieces titled “Reflector,” “Primer,” and “Number,” which was completed in 1990. Also during this period, Davidson performed with the noise fusion group 45-102, demonstrating an advanced position on sound in one public appearance. Presenting his work in numerous shows, he co-curated a major infrastructuralist show at the Henry Street Gallery. Davidson received a BFA degree in painting and sculpture from Virginia Commonwealth University in 1991. Suite

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Antimatter

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