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  • Connexion dans Incursion Music Review

    «Review», Richard di Santo, Incursion Music Review, no 016, 19 novembre 2000
    dimanche 19 novembre 2000 Presse

    This new disc from empreintes DIGITALes compiles four pieces by Louis Dufort, a Montréal-based electroacoustic wizard, composed between 1996 and 2000. Dufort manifests his passion for electronic music, cinema, painting and contemporary dance in his electroacoustic works. His own description of his music emphasises the narrative qualities in his work: “Object, body, colour and sound anecdote give rise to plays of perception that envelope the listener. Sound material is used in this way to draw forth musical outlines in which poetry and the narrative representation of sound serve as markers in the development of the work.” It is therefore only fitting that his work carries a particularly “theatrical” component, suggesting all the movement of a story, but enacted solely through the use of abstract sound. Each of these compositions presents an intense sound environment, buzzing with activity and motion. The themes are of paradoxes (“continuous discontinuity” in track 1), opposites (“elasticity/contraction” in track 4), and self reflexive exercises (“the formal expression of form” in track 3). All manner of sounds are used in arrangements that forever keep you on the edge of your seat. You never have time to relax your perception, as each of these compositions demands your undivided attention. Although there is an immense host of extremely fascinating sound constructions (Dufort’s concrete sounds all share a certain clarity that fits perfectly in my ears), I occasionally found the arrangements to be a little too busy and chaotic for my liking. Still, these recordings have piqued my interest to see what Dufort’s theatre pieces are like; since he often composes for the Marie Chouinard contemporary dance company, it would be interesting to see how his music, itself so very theatrical and expressive, can work together with a more physical stage presence.

    … these recordings have piqued my interest…

    Connexion dans Sztuka Fabryka

    «Review», Geert De Decker, Sztuka Fabryka, 1 novembre 2000
    mercredi 1 novembre 2000 Presse

    This release [Louis Dufort’s Connexion] contains 4 tracks of strange and difficult music. You have got to take time and attention while listening to this music. Let us call the tracks again compositions.

    The compositions are made of a secure mix of sounds who all create a various atmospheres. The atmosphere can go from ambient towards electronic worlds. The use of silence is also explicit in the compositions, the sounds are mostly not mixed. A certain sound comes up and slowly creates an atmosphere and then the mood of the music transforms from one second to another. Electronic worlds are created with noisy and high tune sounds that are tickering around, music transforms quickly and a flood of sounds comes to you. Moments of silence build up the atmosphere and creates a very strong tension in the compositions. Strong electronic music full of tension.

    Strong electronic music full of tension.

    Connexion dans Ici Montréal

    «Critique», Catherine Perrey, Ici Montréal, no 4:1, 21 septembre 2000
    jeudi 21 septembre 2000 Presse

    Louis Dufort est un touche-à-tout très talentueux. Passionné de musique électronique, il s’intéresse aussi au cinéma, à la peinture et à la danse contemporaine. La dernière de l’album [Connexion], Décap, est d’ailleurs fondée sur des travaux musicaux composés pour la Compagnie Marie Chouinard. Ici, point de longues plages planantes, mais un montage serré, rythmé et une utilisation pertinente des échantillonnages vocaux (dont la voix de dame Chouinard). Du mouvement, de l’allant. Bref de l’électroacoustique habitée et invitante. 8,5/10

    Du mouvement, de l’allant. Bref de l’électroacoustique habitée et invitante.
    8,5
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