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Alibi dans Audion

«Review», Alan Freeman, Audion, no 42, 1 mars 2000
mercredi 1 mars 2000 Presse

Jacques Tremblay apparently had his whole concept of music changed when he heard Karlheinz Stockhausen’s Hymnen, and it shows in his own music as heard here. A collection of six pieces (dating 1990-95), Tremblay’s art is not as refined as Daoust’s, but he’s gaining a focus that’s individual. I really wanted to like Tremblay’s creations, but his total disregard for any musical context meant that much of the disc, lacked the focus I feel such sonic art needs to actually work and hold the attention.