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«Review», Alan Freeman, Audion, no 79, 1 septembre 2024
dimanche 1 septembre 2024 Presse

A Belgian electroacoustic composer, rooted in more conventional forms (she was trained as a pianist) with quite a career behind her and, excepting a couple of tracks on various artists collections, here debuting with her first solo electroacoustic album. The four lengthy works presented here all feature use of sounds that have been totally mutated beyond their source recordings, being layered, twisted, multi-layered and/or folded over themselves, along with some recognisable sounds occasionally showing through — some traffic, breathy vocal expressions, aquatic, metallic, environmental and subterranean type sonics as well. Elements of Luc Ferrari and Michel Redolfi come to mind, yet it’s clearly a different and original mind at work here.

… it’s clearly a different and original mind at work here.