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Radiolaria dans Audion

«Review», Alan Freeman, Audion, no 79, 1 septembre 2024
dimanche 1 septembre 2024 Presse

Yet another new name to me, and the first of three female artists on empreintes DIGITALes featured here. Ana’s a Montréal, Canada, based composer, and this would seem to be her second album, after the 2018 release Nano-Cosmos which I haven’t heard as yet.

Featuring eight tracks in its 62 minutes, Radiolaria ranges from a 1-minute piece of electronic gabble through to three much bigger works in the region of 11 to 14 minutes, and four more of a moderate length. The release starts with the startling sonic scatters of Mare Buchlae, which is quite possibly what the title implies, water sounds processed through the credited Buchla 200 synthesizer. That method of working seems to be the basis of much of the music here that mixes acoustics and electronics, some of it composed, some of it improvised. In all, it makes for quite different empreintes DIGITALes release.

… the startling sonic scatters of Mare Buchlae, which is quite possibly what the title implies, water sounds processed through the credited Buchla 200 synthesizer.