“The mood is light and quirky, with softly crunching beats backing effortless melodies and layered syncopations.” (Incursion Music Review, Canada) Since the ’90s, Oeuf Korreckt produces an incredible quantity of small abominably merry digital compositions. Surprising and arousing, the 15 compositions of Podweek constitute the cream of all these years of effort. Caution, this CD could make you happy (and even dance)!

“The resulting brew is a primordial mix of cut-ups, lifts, uncategorisable loops, acrid and acidic soundscaping and more” (Vital, The Netherlands) The electronic duet morceaux_de_machines signs the third No Type release, a vibrant hommage to freedom titled liberum arbitrium.

Rebates to be considered! electrocd.com offers up to 20% discount on many empreintes DIGITALes, SONARt, and No Type releases. Benefit from this promotion right now to discover the new (and the first) tendencies in acousmatic and electronic music!

Yves Beaupré has just completed th emusic for the film “Hubert Reeves: Conteur d’étoiles” (Hubert Reeves: Stars Teller) by filmmaker Iolande Cadrin-Rossignol; a ONF production (2002).

Cinéma pour l’oreille has just released L’étoile absinthe by Michèle Bokanowski and Dix-sept minutes by Michel Chion.

Canadian composer Marcelle Deschênes is one of the rewarded composers at the 2002 edition of the Bourges International Electroacoustic Competition where she was awarded the prize for best “multi-media work” for Die Dyer (video by Alain Pelletier). Elsa Justel received a mention in the same category for her work Destellos. For the “studio work without instrument” category, canadian composer David Berezan won the Trivium award. In the same category, composer Jens Hedman received a mention for his work REcoil. In addition to the rewarded musics, the compositions Gwerz by Elsa Justel, Low Memory #2 by Monique Jean and L’éveil d’un titan by Jean-François Laporte had been selected in their respective categories.