Like words made out of cutting letters from a newspaper, I have used in Mambo à la Braque [Braque-style Mambo] short musical segments which come from the well known mambo Caballo Negro by composer Dámaso Pérez Prado to whom this short piece pays homage. I have reassembled them into a sound mosaic and used a few other sounds to ‘glue’ them together. My aim was to create a sort of cubist music, or put in other words, a mambo of my own invention made out of mambo cuttings.

[xi-90]

Composition

• 1990, Personal studio, London (England, UK)

Premiere

• November 2, 1990, Montréal musiques actuelles / New Music America, Acousmonium: Concert 6: Électro clips, Théâtre Les Loges, Montréal (Québec)