A study about movement and gesture. Their interior / exterior relationship built around the easily discernible sound objects. “Mi-dong” (korean) can be translated as a word “Flickering” or “the state of a being whose movement is so small that you cannot tell.”

Realized in composer’s private studio. Technical notes: Sounds manipulated with the use of various programs such as SoundHack, Lemur pro, MarcoHack, MacPod, SoundEffect… and K2000. Edited and mixed in Peak LE, Digital Performer.

Awards

• Public prize ex æquo, 1st Biennial Acousmatic Composition Competition Métamorphoses 2000, Ohain (Belgium)
• Prize, Studio Electroacoustic Music Prize, 28th Bourges International Electroacoustic Music and Sound Art Competition 2001, Bourges (Cher, France)