The Orford Arts Centre (Québec) announces its 4th Sound Art Workshop as part of the International Music Academy. Held on August 2 to 15, 2009 the workshop, directed by Yves Daoust, is open to sound creators of all styles. This year Yves Daoust — assisted by Alexandre Burton, and Jean Landry — has invited guest masters Gilles Gobeil, Jean-François Laporte, John Oswald, and Hans Tutschku with special guests Robert Normandeau, and Annette Vande Gorne.

The choreography Interiors by Laurence Lemieux, for which John Oswald was sound advisor, will be presented as part of the Mainstage Series on October 25 to 27, 2007 at Enwave Theatre in Toronto.

The Royal Ontario Museum (ROM) invites its visitors to experience its new entrance in a dynamic new way: with sound. Its new main hall is partly filled with the sounds the permanent sound installation A Time to Hear for Here by John Oswald.

Time-based media art is a generic label applied to all the arts involving time as one of the mandatory coordinates to experience the works. John Oswald involves time at the very center of his own work, making it the hidden fulcrum of the reality he interprets, slowing down or accelerating his own concept of ‘reality.’ In Chronophotic [Arc d’apparition; Whisperfield] there’s an altered immobility reflected in the continuos almost perceptible changes that very slowly add persons to a sort of group picture, shifting, also slowly their dressed/naked image. The nakedness and the being dressed can be seen as two faces of the same reality, the public/private, the official/intimate, the endlessly alterable/the given one. The avoid misunderstandings, the work is not voyeuristic at all, showing human bodies of all ages in their most natural and neutral shape. Furthermore it simply seem to question our conventional daily perspective and the time we spend observing and relating to other humans. It’s an ancestral species’ issue: dealing with our own essence and our own temporal and instinctually mutual recognition.

Robert Normandeau and Jean-François Denis presented the closing concert of the “Akusmatisches Wochenende” festival produced by the Studio für elektroakustische Musik (SeaM) in Weimar (Germany) on June 18, 2006. The programme included works by Normandeau, and, spatialized by Denis, short works by Elainie Lillios, Elsa Justel, Elizabeth Hoffman, Natasha Barrett, John Oswald, Yves Daoust, and Pierre Alexandre Tremblay.

Jocelyn Robert made a selection of videographic works by John Oswald, Éric Gagnon, Bernard Gigounon, Julia Page and Ben Reisman for La lumière immobile, an exhibition at Dazibao gallery (Montréal) from April 28 to June 3, 2006.