The processing of instrumental sources enables a true deconstruction of the materials resulting in a myriad shards spread along the acoustic space. Subsequent layers of processed or electronic sounds are added, increasing the abstract nature of the landscape portrayed if the narrative intention — wholly permeating the result — brings in a complex framework quite distanced from electroacoustic traditions. The concrete elements are similarly displayed in an original fashion, transforming them into daring linguistic aspects by bending the materials so as to fit them into the expressive forms.