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Bruits in The Wire

“Soundcheck”, The Wire, no. 219, April 1, 2002
Monday, April 1, 2002 Press

The wit and character of Canadian composer Yves Daoust are all too rare qualities in electroacoustic composition. Composed between 1997-2001, Bruits is a 30-minute exploration, in three movements, of sounds from the great outdoors. The first movement is a giggly snapshot of a children’s playground. It’s followed by a fastidiously detailed nocturnal landscape close in atmosphere to Bartók’s many night pieces. The final slab is a joyous depiction of Montréal in summer, with passing jazz groups enhancing its party atmosphere. A similar sense of exuberance inhabits the much earlier La gamme, which transforms every music student’s dreaded scales and arpeggios into a cartoon landscape hovering between Varèse and A Rainbow In Curved Air. The bizarre Ouverture explores the history of French-speaking Canada. The Chopin-inspired Impromptu for piano and electronics completes the set.

The wit and character of… Daoust are all too rare qualities in electroacoustic composition.