A bit more patient and slowly evolving than your average electroacoustic work. This gives a lot of emphasis to stimulating, grainy textures and raw imagery, without constantly interrupting you with that sterile “electronics-in-a-void” sound that can make me blase about electroacoustic work sometimes. Satisfies the same tastes that enjoy John Watermann’s “Calcutta Gas Chamber” or David Dunn’s “Chaos and the Emergent Mind of the Pond.” Pretty potent stuff, especially at high volume levels.