An initial studio encounter, recorded live, makes up CD 1. Then both artists went to work to reprocess the raw material left out. Tétreault used obsolete tape recorders to create a analogue remix (analogique, CD 2). Otomo used an ultramodern computer to generate a digital reconstruction (numérique, CD 3).

Now available, the two spring releases from the unrepentant Squint Fucker Press label. Cal Crawford will present his latest opus [squint_00f] and Jonathan Parant will present his first CD, [squint_00^e]. Crawford is also part of this year’s impressive Mutek distribution, Sunday June 1, 2003.

The new Montréal Free 4CD set is declared Disc of the week by Montréal’s weekly Ici.

UK magazine The Wire publishes an interview with Paul Dolden in its March 2003 issue (#229). The empreintes DIGITALes label is completing the production of 3 new discs by Dolden who just finished the impressive task of remastering all his works. A first CD, Seuil de silences, reissues 3 works from the original The Threshold of Deafening Silence (from 1990) with 2 unreleased mixed works. The original edition of L’ivresse de la vitesse (“Intoxication by Speed”) (from 1994) was also entirely revamped and will soon be available as 2 distinct albums.

During your visit, you may notice subtle changes to the interface of certain sections of the site. Don’t be surprised! we are currently renovating our site to make it more manageable and (hopefully) easier to navigate. Meanwhile, you are invited to contact us with your comments, and to inform us of any bugs you may find! We are also open to your ideas and suggestions. Please write our webmaster. Thanks for your understanding.

While spending the year 2003 in residency at the GMEM (France), Stephan Dunkelman also proposes two new music for Barbara Mavro-Thalatissis’s choreographies: Motion Pictures, to be presented in Brussels, Courtrai (Belgium), and Grenoble (France) and Sans queues ni têtes to be also presented in Brussels and Marseille (France).