Protopia / Tesseract
- Elizabeth Anderson
- Year of composition: 2005-07
- Duration: 13:50
- Instrumentation: 8-channel fixed medium
- Publisher(s): Ymx média
- ISWC: T7021727040
The etymological roots of
Protopia is a combination of two terms, proto (πρώτο) meaning first and topos (τοπος) meaning place. Its construction echoes that of utopia (ουτοπία), a term designating a fictional ideal place that is said not to exist, ou (ου) being the negation in Greek.
Tesseract derives from tesseres actines (τεσσερες ακτινες) meaning four rays, and refers in geometry to the four-dimensional analog of the three-dimensional cube where the tesseract would be to the cube what the cube is to the square.
The electroacoustic work
The work opens with contrasting sound material placed in adjacent spaces. A slow morphological evolution conveys the impression of an initial sonic topography unfolding leisurely around the listener replete with foreground and background events. During the second movement, the sound world evolves towards a vast, lush spectral landscape, after which part of the sound material begins to spin in clockwise and counter clockwise rotations. These increase in speed and intensity and aim to call to mind the compression of space and time.
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Composition
- 2005 – 2007, Sound Studios — City, University of London, London (England, UK)
- 2005 – 2007, Métamorphoses d’Orphée — Musiques & Recherches, Ohain (Belgium)
- 2005 – 2007, Studio Akousma — Académie de Soignies, Soignies (Belgium)
Premiere
- May 8, 2007, Electroacoustic Concert 5, Performance Space — College Building — City, University of London, London (England, UK)
Awards
- Honorable Mention, International Electroacoustic Music Contest of São Paulo 2007, São Paulo (Brazil)
- 1st prize, Category A (fixed medium), Musica Nova 2008, Prague (Czech Republic)
Movements
- Movement 1, 5:52
- Movement 2, 7:57
Albums
- Various artists
- Not in catalogue
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