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Kritik

Rigobert Dittmann, Bad Alchemy, January 23, 2023
Tuesday, January 24, 2023 Press

In a similar style as Raw, but more fine-grained, with buzzing, surfing, rubbing, chugging tracks, droning priming, fly-like presence, metalloid little loop, so to speak something animal next to the automatic.

Kritik

Rigobert Dittmann, Bad Alchemy, January 23, 2023
Tuesday, January 24, 2023 Press

Hymn Without Words, with solemn vocals, melancholic drones and harsh beats, are at once musical get-well wishes and his expression of gratitude to colleague Dale Jonathan Perkins…

Kritik

Rigobert Dittmann, Bad Alchemy, January 23, 2023
Tuesday, January 24, 2023 Press

Of the six ’flashes of inspiration’, this is certainly the most personal.

Kritik

Rigobert Dittmann, Bad Alchemy, January 23, 2023
Tuesday, January 24, 2023 Press

Electroacoustics can be quite narrative and dramatic, if only their makers want them to be.

Kritik

Rigobert Dittmann, Bad Alchemy, January 23, 2023
Tuesday, January 24, 2023 Press

As a finale, fireworks crackle, the people are enthusiastic, but the birdlife protests. Long-drawn monk chanting, gong and oar beats want to calm down, but end in an alarmed flourish.

Recensione

Gianluca Diana, Il Manifesto, January 14, 2023
Monday, January 16, 2023 Press

Nel 2018, mentre si trovava in Ohio per una residenza artistica, il compositore britannico viene distratto dal suo lavoro da un refolo di vento che si insinua nello studio attraverso la fessura di una finestra. Qùàlche mese dopa a Lisbona, si verifica una situazione analoga. I due accadimenti sono alla base della scrittura di We Are the Voices of the Wandering Wind, terra di apertura del suo nuovo lavoro. Sperimentazionevisionaria ed emozionante.

Visionary and exciting experimentation.