Exhibit, album launch and concert for the unrepentant Squint Fucker Press label. Cal Crawford will present his latest opus “sitting on theories on the frontier of extension” and Jonathan Parent will present his first CD, “Littérature,” Thursday February 20, 2003 at Casa del Popolo (Montréal). Moreover, Christof Migone, Alexandre St-Onge and Martin Tétreault will exhibit works from the serie “cover without a record.”

During the 2003 Mois Multi event, Steve Heimbecker presents his latest interactive installation, “Wind Array Cascade Machine” February 14, 2003 in Québec City’s studio d’essai in the Méduse artistic complex.

More than a technical challenge, Machines 08: “Le chemin des machines” is a wonderful networked improvised composition. 4 musicians live through the internet, 8 others scattered in strange places in the Méduse complex and 4 electroacoustic composers to spatialize the result on a loudspeakers orchestra. A prowess you don’t want to miss! With participating artists Diane Labrosse, Alexandre St-Onge, Steeve Lebrasseur, A_dontigny, James Schidlowsky, Julie Rousse, Raphaël Simard, Mathieu Lévesque, Jocelyn Robert (California), Kevin M Krebs (British-Columbia), the Frequenza_Minima duo (Italy) and in the main room composers Jean-François Denis, Gilles Gobeil, Marc Tremblay, and Louis Dufort. February 14, 2003 at 8:30pm.

A 4th edition for the Tentacules concert series, bringing together actuelles, contemporary and electroacoustic musics. Be there February 27, 2003 at La Sala Rossa (Montréal) to hear performances by Lori Freedman, Martin Tétreault, Magali Babin, Bernard Falaise and Adrian Moore.

Marc Tremblay and David Michaud are the two guest composers for this month’s Excavation sonore. The proposed work, fuite #1 will be webcasted without interruption until the end of the month of February.

Francis Dhomont is releasing his 6th empreintes DIGITALes title, Jalons, a compendium of 8 works from 1985 to 2001. A “mini-panorama” that is more eclectic than the composer’s previous theme-based works, and a unique chance to hear works which have rarely been performed in concert.